A newcomer watching his deft handling of the second movement’s gargantuan leaps between chords would have been surprised to find that the section is among the most dreaded in piano repertoire. Freire elevated the majestic textures and sonorites over the three sprawling movements to profound effect. 17.” Many piano aficionados count this Romantic period work among their favorites for its emotional depth. His unique approach to the famous “Rondo alla Turca” favored stylish resonance over percussiveness.įreire moved on from this elegant work to Robert Schumann’s “Fantasie in C major, Op. His interpretation was tidy but mellifluous as he articulated the exceedingly elaborate variations in the first movement and defined contrasting elements in the second. The 73-year-old performer possessed titanic technicality, and set an atmosphere in the Chenery Auditorium that was pleasing in its authenticity and opalescence.įreire opened his recital with Wolfgang Amadeus Mozart’s familiar “Sonata in A Major, K.331,” a work that appeared on his first public recital as a youngster. Gilmore International Keyboard Festival performance. Nelson Freire, a venerable Brazilian pianist, offered refreshing poise and poetry during his Saturday night 2018 Irving S. But in a society that barrages us with hollow messages and countless distractions, honest and refined music can offer due respite. There are plenty of musicians today who embrace showmanship and spectacle to make an impression.
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